Here you can find the last version of the programm booklet.
Programm schedule
| Room I The Sound of Music |
Room II Show Boat |
Room III The Merry Widow |
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| Wednesday, June 30 | |||
| 15:30-16:30 CEST | Welcome: Speeches
Rektor Hendrik Lehnert, Rektorin Ursula Brandstätter, Carolin Stahrenberg, Nils Grosch, Ruard Absaroka, Natalie Stadler, Roman Duffner |
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| White Horse Inn: Coffee break (30 min.) | |||
| 17:00-18:00 | Keynote I: Derek Scott (GB): Operetta, Cultural Mobility, and Cosmopolitanism Chair: Carolin Stahrenberg |
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| White Horse Inn: Coffee break (30 min.) | |||
| 18:30-20:00 | Panel 1 Chair: Dominic Symonds Raymond Knapp (US): Mobility and Framing in Vincente Minnelli’s Films with Judy Garland |
Panel 2 Chair: Markus Neuwirth Jeroen Joost van Wijhe (NL)/Sanne Thierens (NL): Two Worlds, One Musical. Adapting Disney Theatrical Production’s Tarzan for the Dutch stage |
Panel 3 Chair: Matthias Weiß Joanna Das (US): Hillbillies Dancing Badly: Mobilizing Black Vernacular Dance in Musical Theatre |
| Franziska Kollinger (AT): Le seul, le vrai, le paradis: Cultural mobility and French musical films (1930-1950) | Veronika Bochynek (AT): Tap Dance Improvisation as Moments of Play – Finding Agency in Hollywood Musicals | ||
| Micaela Baranello (US): “Hochzeit in Hollywood”: The American Film Industry on the Viennese Operetta Stage | Olaf Jubin (GB): Running in Circles or Moving with the Times? The German Starlight Express | Dustyn Martincich (US): On the Move: Translating Lyrical and Non-Lyrical Choreography for Musical Theatre Touring Productions | |
| White Horse Inn: Chill out | |||
| Thursday, July 1 | |||
| 15:00-16:30 CEST | Panel 4 Chair: Nils Grosch William Everett (US): Racial Mobilities and Representations in Rose Marie on Stage and Screen |
Panel 5 Chair: Susanne Scheiblhofer Ben Macpherson (GB): Audio Network Theory – Circulation, Consumption and the Mobility of the ‘Original Cast Recording’ |
Panel 6 Chair: Nicole Haitzinger Ariel Nereson (US): Mobile Dancers, Fixed Genres: Concert and Commercial Dance Aesthetic Production and Dancers’ Navigation Strategies |
| Matthias Weiss (AT): An “instant queen” for “the destitute of all complexions”. Social Mobility and the Migration of Images in Allan Parker’s Evita | Toby Huelin (GB): It’s “Behind” You! Library Music as Underscore in Contemporary British Pantomime | Ellin Sears (AUS): The digital world and accessibility to musical theatre dance | |
| Carlo Cenciarelli (GB): From Singing to Listening on the Move: The Graduate as the First Mobile Music Musical | Trevor Boffone (US): “So if you care to find me, look to…” TikTok: Elphaba Drag, Defying Gravity, and Digital Musical Fandom | Robert Gordon (GB): Dance as emblem of social mobility in Billy Elliot | |
| White Horse Inn: Coffee break (30 min.) | |||
| 17:00-18:00 | Keynote II: Shana L. Redmond (US): Antiphonal Life: The Return of Paul Robeson.
Chair: Ralph Poole |
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| White Horse Inn: Coffee break (30 min.) | |||
| 18:30-20:00 | Panel 7 Chair: Hannah Robbins Dominic Symonds (GB): “Stop the World”: community and mobility in Come From Away |
Panel 8 Chair: Donatella Galella Laura Waringer (US): Mobilizing a Movement: Creating a Site-Specific, Anti-Racist Musical for the Pandemic |
Panel 9 Chair: Friedlind Riedel Anna Waller (US): From Hot From Harlem to Harlem is Heaven: Circulating Black Dance Aesthetics on Stage and Screen |
| Jordan Ealey (US): Rocking and Reeling: Sounding Community in Zora Neale Hurston’s Polk County | Leticia Ridley (US): “Turning the Lights Back On:” Lion King, Social Media, and Black Creative Mobility | Phoebe Rumsey (GB): “I need to do the Black Bottom!”: How movement works to expose cultural theft in Michael John La Chiusa’s The Wild Party | |
| Daniel Molnár (HU): National(ist) heroes: Propaganda musicals in Eastern European hybrid regimes | Phoebe Ranger (GB): Accessibility, mobility and changing modes of Liveness | Barbara Pitak-Piaskowska (PL): Moving towards escapism – Busby Berkeley and kinetic charm | |
| White Horse Inn: Chill out | |||
| Friday, July 2 | |||
| 15:00-16:30 CEST | Panel 10 Chair: Elizabeth Wollman Nicholas Gebhardt (GB): That’s Entertainment: travelling performers and the mythology of show business in American culture |
Panel 11 Chair: L. Roman Duffner Ellen Armstrong and Siobhán Rocks (GB): Sound and Vision: the transfer and recovery of meaning in sign language interpreted musical theatre |
Panel 12 Chair: Ariel Nereson Jennifer Daniel (GB): Mobility and Stagnation: Cats, Hollywood and race |
| Julianne Lindberg (US): “Youth Will Arrive/Let Them Know You’re Alive”: Youth and Mobility in “Babes in Arms” | Sarah Courtis (AU): Mobility barriers and inclusive practices in performance | Desiree Garcia (US): Going Places: Musical “Latins” in the Hollywood Musical | |
| Nils Grosch (AT): “When you change the view from where you stood, the things you view will change for good”: Musical theatre revisited from the perspective of the mobilities paradigm | Christopher Smith (US): Out Yonder: Immersive Theater as Anti-Hegemonic Pedagogy in the Music Conservatory | Anthea Kraut (US): Marie Bryant and Racialized Mobilities of Flesh in Hollywood | |
| White Horse Inn: Coffee break (30 min.) | |||
| 17:00-18:00 | Keynote III: Lydia Goehr (US): Instrumentalizing Music for the Movies: Comedy, Portability, Labor, Critique
Chair: Ruard Absaroka |
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| White Horse Inn: Coffee break (30 min.) | |||
| 18:30-20:00 | Panel 13 cancelled |
Panel 14 Chair: Jessica Sternfeld Megan Woller (US): American Musical Theater, Media, and Mobility in a post-COVID Society |
Panel 15 Chair: Veronika Bochynek Sherrill Gow/Joe Parslow (GB): Mobilising the Feminist and Queer Potentialities of Children of Eden |
| Kelly Kessler (US): COVID19: The Musical!! How a Pandemic Shattered the Musical’s Digital Divide | Catherine Young (US): In the Heights’ Migrating Women | ||
| George Burrows (GB): Me and My Girl and Showstopper!: Improvisation, Musical Comedy and Mobility | Austin Eyer (US): Queer Representation in Musical Theatre: From the “Pansy Craze” to A Strange Loop | ||
| White Horse Inn: Chill out | |||
| Saturday, July 3 | |||
| 15:00-16:30 CEST | Panel 16 Chair: Georg Nicklaus Kathryn Edney (US): A Fixed Reputation? Re-Examining Oscar Hammerstein II in Light of The Golden Dawn (1927) |
Panel 17 Chair: Natalie Stadler Christin Bonin (DE): Broadway’s Leading Ladies – Continuing Intersectional Problems of Gender and Ethnicity |
Panel 18 Chair: Anne Healy Anne Potter (US): “Commencing in Chattanooga”: Trains, Race, and Nostalgia in Musical Theatre |
| Susanne Scheiblhofer (AT): The Hammerstein Ban: The German-speaking reception history of Rodgers and Hammerstein re-evaluated | Emilio Méndez (MX): Angélique: Mobility, Migration, Race and Mestizaje in a Contemporary Mexican Musical | Jelena Novak (PT): Song, Car and Screen: Notes on Musical Theatre and Automobility | |
| Jake Johnson (US): Re-Placing the American Musical | Paul Laird (US)/Gonzalo Fernandez Monte (ES): From “La Cage” to “La Jaula”: The ‘Follies’ of Musicals Crossing Cultures | Carolin Stahrenberg (AT): “Meine Heimat ist der Wagen”. Negotiation of mobility and settledness in German post-war musicals | |
| White Horse Inn: Coffee break (30 min.) | |||
| 17:00-18:30 | Panel 19 Chair: Franziska Kollinger Carolina Correa (CO): From Broadway to Mexico: A first approach towards migration of musical theatre |
Panel 20 Chair: William Everett Alejandro Postigo (GB): Musical Theatre Brexit: the future of Anglo-Centric musical theatre training |
Panel 21 Chair: Sophie Lauscher Anouk Bottero (FR): Paradoxes of Stillness in Caroline, or Change |
| Millie Taylor (NL): Global markets and local communities: musical theatre in the Netherlands | Ruard Absaroka (AT): The Hills are Alive with Tourist Ears: The Sounds of Movement and Consumption of Place in Salzburg | Vojtech Frank (CZ): „There Was No One in the Audience“: First Soviet Musicals on Czechoslovak Stages | |
| Eric Kaufman (US): American in Paris (or Munich, or Moscow, or Tokyo…): Musical Theatre as Cultural Export | Edwin Betancourth Cardona (CO): Moving Sounds, Music Transgressions. The impact of Venezuelan musicians in Cali, Colombia | Michael Ellison (US): Movement Inside Your Skin: The Potency of Movement/Stillness in The Band’s Visit | |
| White Horse Inn: Coffee break (30 min.) | |||
| 19:00-20:00 | Plenary Session | ||